Sunday, December 30, 2012

My Favourite Foreign Films


A while back I choose my favourite American films. ( http://iwasjustthinkingsomething.blogspot.ca/2012/06/top-20-american-films.html ) Now the time is right, after several personal blogs, to turn my sights to foreign film. Using a similar structure as the American film list, I have chosen, in no particular order, my favourite – not the “best” – foreign films. The list I have compiled while perhaps a little heavy in nature, is - in my mind’s eye – brilliant, thought provoking cinema. International directors, to their credit, are unafraid and unapologetic for making films of depth and tough subject matter. My choices have stories that range from a meteor cascading towards earth, a Mexican road trip, and a family gathering that has gone more than a little pear shaped. My hope is that for anyone that reads this list perhaps you’ll see some films that appear interesting to you and check them out. I have provided a brief synopsis with the films and some of my quick thoughts why I like them.

The Seventh Seal (Sweden) 1957  - A knight returning from the Holy Crusades questions his own existence, death, and life while playing chess with no more devious of an opponent than death himself. Igmar Bergman has long been the voice of Nordic cinematic existentialism and the depth of his story telling and range as a director are unmatched with this film of ideas. This film has seen itself seep into literature and popular culture in a variety of ways.

City of God (Brazil) 2002 – The City of God is one of the world’s most nefarious and dangerous slums in Rio De Janeiro. From the depths of this drug infested hell comes a story of the kids, on the right and wrong side of the law, that are both the perpetrators of this lawlessness and its casualties. This is the story behind  world be headlines of murder, exploitation and the war on drugs given a human touch.

Melancholia (Denmark) 2011 – A film of gripping intensity as a meteor plummets towards earth during a depressed woman's wedding. Never one to paint a rosy picture of human nature, Danish director Lars Von Triers looks at the already tangled interpersonal relationships of the bride to be and how catastrophe perhaps can be the only means to repair fragmented relationships and a damaged sense of self. The imagery of this film is luminous and horrifying... trademarks of Lars.

Amores Peres (Mexico) 2000 – Three inter related stories all centering around a horrific car accident in Mexico City unveil the complexities of modern life across social class. Seamlessly blended these stories  show realities seemingly unrelated and how the human experience cannot help but intermingle whether we know it or not. This film was once called the Mexican Pulp Fiction.

Reprise (Norway) 2006 – A coming of age story of two aspiring writers dealing with the pressures of young adult hood in Oslo, Norway. In turn funny and intense this film is a must for anyone that sees themselves possibly as a writer. There are prices one pays for giving themselves to art and this film encapsulates that while being stylish, funny and witty.

Y Tu Mama Tambien (Mexico) 2001 – Two teenage boys seize the opportunity to take an attractive older woman on a road trip across Mexico. Equal parts a tale of sexual discovery, friendship, and a discovery of Mexico itself and the shattering bonds of a land - as we can see even more now  in 2013– in peril from internal and external forces. The camaraderie of the leads brought me back to my own youth when everything seemed so possible.  I really laughed during this one.

The Lives of Others (Germany) 2006 –  ” The Lives of Other” tells the stories of artists in East Berlin and the limitations placed on their expression by an autocratic system that breeds mediocrity and enforces conformity.  People in this era legitimately feared who they spoke to and were amiss to even be candid in their own homes fearing bugs and government surveillance. This film is really thought provoking and scary stuff. Especially since it really happened.  

Persona (Sweden) 1966 – Is a persona an island of individuality or could it somehow merge with another person? After mysteriously stopping speaking and going mute in the middle of a performance an actress seeks treatment at a secluded cabin. A demonic relationship develops between her and her nurse as literally the idea of who they are becomes mixed between them. A true psychological thriller and Igmar Begman's second film on my list.   

Amelie (France) 2001 – With all these “heavy” films it’s nice to have one that just wants to show love and how everyone is better off having it in their life. This film is Jane Austen’s “Emma” transposed from England to Paris, France and given all the French trimmings. Amelie is a master of finding love for everyone around her just not for herself. No film endows Paris with magic like this, it breaths a new life into the Momartre district with its drowning water colours and magical realism. 

L’ Avventura (Italy) 1960 - During a yachting trip when a woman inexplicable disappears her boy friend and her best friend search for her. Most films are made for entertainment, this film actually puts forward an accurate portrayal of life as it is and the effect of time changing things whether we like it or not.  A stark display of the lengths people will go, or won’t go, for one another. A very unnerving slowly paced film - essential viewing if just once.

Pan’s Labyrinth (Spain) 2006 – If sheer terror was paramount on earth could it reach another dimension? Or perhaps would you create another world in which to psychologically escape from this horror? Such are the questions that face a young Spanish girl during the dogged days of the Spanish revolution. Wildly inventive, with surrealistic creatures that wouldn’t be out of place in a Salvador Dali painting, this film pushes art as projected through cinema to its limits. 

Festen (Denmark) 1998- With perhaps the most iconic and outrageous Birthday toast ever (below as a youtube clip) , Festen is a Danish dark comedy that manages to sear through social taboo without breaking stride or failing to entertain. A family gathering for their fathers 50th birthday takes an unexpected turn and a family is forced to deal with truths previously swept deep underneath the rug. Amazingly laughs or brought in effectively to carry through otherwise extremely taboo subject matter.

http://www.youtube.com/watch?v=_7N-x9TGCuw

Persepolis (Iran)  2007 - Unique animation is used to tell the story of a girl’s life growing up in Tehran and trying to find herself during Iran’s cultural revolution. Both eye opening to see how another culture, specifically middle Eastern culture, works, and more importantly engaging in showing that in reality we are all just the same as "people" regardless of the culture that generates many of our beliefs.

Down Fall (Germany) 2004 – The last days of World War 2 in Hitler’s Berlin bunker of the defeated Germans. Using a unique vantage the story is told through the eyes of Hitler’s secretary. Viewers are treated to a searing tale of megalomania and madness as Hitler and his chief lieutenants don’t want to believe, and in some cases will not believe, the war is lost. A psychological tour de force on a personal and a collective level. 

Waltz with Bashir (Isreal) 2008- A surrealist look at war and the effects it has on the minds of the combatants. A veteran of the Lebanon conflict in Israel tries to deduce why he cannot remember battles he was a part of, and to understand the nature of bizarre dreams that he cannot shake. Using animation, the realities of the mind – as fleeting as they can be – or transposed with the narrators journey of self discovery.

Lilya 4 Ever (Sweden) 2002 – Sixteen year old Lilya thinks that she is in love, but her dreams of a new life turn into a nightmare as she is tricked from her home in Estonia into a life of sexual slavery in Sweden. This film is deeper, darker, and more authentic than Hollywood’s try at the same topic of human trafficking “The Whistle Blower.” A hue of surrealism is employed to show how Lilya literally creates her own make believe world to disassociate from her horrid reality. Harrowing and eye opening stuff. 

4 comments:

  1. Why? Melancholia is a sensory feast, it has an Operatic quality of sound, stirring visual, and searing interpersonal discord. The acting was top rate - with Kristin Dunst giving her best ever performance.

    The film itself chisels past superficiality as the female leads tackle questions of self and connection to each other literally with nothing to lose as there will be no tomorrow. That carte blanche does not exist in reality as actions tonight bring consequences the next morning. Just toying against that concept there, as Van Trier does, is a fascinating thought experiment for a person looking at relationships. Melancholia made me think of a contemporary director trying to enact a little Bergman.

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  2. I posted a response this but it appears to have gone missing in the world wide web. I disagree with nearly everything you've written here about Melancholia. Except for the Bergman comparison which I don't think is a point in favor of the film because Bergman is incredibly overrated. Everything he did done before by Bresson and Dreyer. But, that's another argument. I hate Melancholia because all of the performances feel extremely forced and unmotivated. I understand that the lead has depression (or Melancholia) and this somehow makes her better equipped to deal with the end of humankind with more grace than the other characters. This is obvious and it is the only point the film has to make and it makes it over and over and over which is why I find it boring and ridiculous. There are many other films that deal with depression and the end of the world in more interesting ways. Take Shelter immediately comes to mind and it was unfortunately overshadowed by Melancholia in 2011.

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  3. Apples and Oranges Cody. I thought the leads, with perhaps the exception of Alexander Skargsgard, had great performances with dense, challenging material to work with. I would even go as far as to say Kiefer Sutherland and Kristin Dunst have career best performances. When I watched the film, I thought it went well beyond just the concept of a depressed person handling a crisis better. More than a meteor, it was a film about relationships... and how they can become twisted, something that Lars Von Triers is a master at displaying and unraveling. Even the secondary performances of Kristen Dunst's eccentric parents, Charlotte Rampling and the legendary John Hurt blew me a way. At the end of the day, I guess we'll just have to agree to disagree on this one Cody.

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